Skip to main content

The 100 Day Project - going back, going forward





As #The100Day project enters its third week, it's time to do a little re-assessing.... the coordinators of the project keep in touch throughout and we are given prompts along the way to encourage us all to keep going. Today's newsletter asked us to ask ourselves these questions ... and my answers are in red.
  • What’s getting you energized lately?  Finishing & posting by 6pm every day, 
  • What are you learning?  To let go and not overthink the process. 
  • What do you do when you don’t feel like doing your project? Just do it. 
  • How are you measuring progress? Blogging 
  • What’s working, and what’s not? Setting a time limit- and keep to it! 
And here are my latest two #100pinpoems 

15/#100pinpoems 
 Day 15 was easy . When I woke up, there was a discussion on ABC radio about tea on British National Tea Day....   and the usual questions... 
"Debating again
Pot or bag, milk first or last? 
National Tea Day." 
Materials: fabric , tea bags, threads, safety pin. 
Techniques: paper fusion, collage, stitching. 

Today (Day 16) , it was a beautiful warm Autumn day, and the sky was a clear blue and then all of a sudden while I was walking a  large clattering of cockatoos flew overhead filling the sky 
"White flares in the sky ,  
Screeching invades the stillness. 
Crested cockatoos."
As we are reflecting and re-assessing today, I thought you might like to revisit Days 15 and 16 of my project last year for #The100DayProject. 


 


Labels:

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...
3 comments
Read more

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...
8 comments
Read more

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...
Post a Comment
Read more