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#SeptTextileLove Day 10

  #SeptTextileLove #STL26Day10 ‘Low Impact ?’ … today I am highlighting an admirable decision by Newcastle ( NSW Australia) textile art gallery , Timeless Textiles . When you purchase from the gallery shop, the protective wrapping is made from recycled fabric - donated abandoned textiles, repurposed clothing and household linens, and sewing project scraps. Not only is this packaging practice low impact on the environment , it doesn’t cost much and making these bags requires minimal effort and only basic skills. However it has high impact as a thoughtful, aesthetic and sustainable retail practice. What other practices have you noticed retailers are using for a lower impact on the environment?
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#SeptTextileLove26 Day8

    SeptTextileLove #stl26day8 ‘Inspiring Exhibition’ … earlier this year , the Wednesday Makers Group at Timeless Textiles ( Newcastle, Australia) celebrated International Women’s Day with their exhibition, “Inspiring Women in Stitch’ - congratulations - inspiring women honouring inspiring women .   link to video   

#SeptTextileLove26 Day 9

  ‘ Craft or Art?’ … a continuing complex question, with, I guess, has no definitive answer. I’ve often wondered about traditional practices especially … as an example , temari ( Japanese stitched thread balls ). Even authorities on temari have called it ‘an ancient folk craft ’ as well as a traditional, highly artistic culture and skill in that each design shows the unique characteristics of the maker’s free ideas and creativity. ‘ (Japan Temari Association)… My mother taught me to make temari and she would always consider her own creations ‘craft’ and to me they are ‘art’!  Craft or art? Does it really matter what we call the techniques or the outcome of what we create ? 

#SeptTextileLove26 Day 7

  #SeptTextileLove #STL26Day7 ‘Historical’ ... Family history is often a source of inspiration and information for my work. This stitched work featuring a photo of my great grandmother also acts as a commentary on the Chinese historical practice of foot binding, hence the inclusion of an x ray photograph of a female bound foot. It looks painful and undoubtedly was , but it was considered 'beautiful". What contemporary body shaping practices do we still engage in for the sake of ‘beauty’? Historical body shaping practices included tight-lacing corsets, foot binding, and neck elongation , all used to mould the human form into culturally defined ideals of beauty. (AI overview) Foot Binding in China Starting from Song elites and eventually popularized and ended in the Qing dynasty, foot binding was seen as an idolized representation of women's petite beauty, and the practice was referred to as "三寸金莲" , 'three-inch golden lotus' Wikipedia . This practice...

#SeptTextileLove26 Day6

#SeptTextileLove #STL26Day6 ‘Experiment’ Plastic recycling has still not been resolved, and while reducing the amount of plastic that comes into our house has been minimised , some plastic wrappers seem unavoidable … Cutting plastic into strips and experimenting with it as thread is rather satisfying . This stitching on recycled hessian was made with wrappers from bread and paper towel and some abandoned gold thread .  

#SeptTextileLove Day 5

  #SeptTextileLove #STL26Day5   ‘Caring’ … so much of what textile artists do involves caring - for the environment , for others, for our own health and well-being , for social justice, for our art … today I’m advocating caring about sourcing our materials . I use lots of embroidery thread and it is sometimes tempting to buy cheaper imported threads than the ones I really love to work with, - hand dyed right here in Australia by a small    family business . I looked at one of the omnipresent online ads with its    incorrect spelling and the suggestion that bulk is better gives strong    hints about the ‘quality’ and the price makes me wonder about the working conditions and rights of those who produce and package the thread?    I care that the people who make the materials I use get a fair wage and work in safe conditions. I also care that the quality of the materials I use are the best I can afford and have the least negative impact on ...

#SeptTextileLove26 Day 4

 #septtextilelove  #stl26day4  … Story-telling … making ‘art dolls’ gives wonderful opportunities to tell stories … This matriarch’s story  is intertwined with the cicadas which form  part of the soft sculpture  and emphasises what appears to be a contradiction about nurturing life and inevitable death... Cicadas spend years underground as nymphs feeding on root sap, emerging en masse as winged adults for a few days, perhaps a week, to mate and lay eggs in tree branches, then die, leaving the eggs to hatch into new nymphs that burrow underground to restart the cycle.  The dormant underground phase of the cicada’s life can be from 2-17 years! In my interpretation, this forest matriarch offers a safe place for cicadas to lay eggs, only to cause their own demise … but the continuing life cycle is ensured.