Empress Wu Designs with Wilma

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April  – 10 May 2026   ….  Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...

#The100DayProject is a *free* global art project that takes place online 🎨 E very year, thousands of people all around the world commit to 100 days of creating. Anyone can participate . ​The idea is simple: choose a creative project, do it every single day for 100 days, and document and share the process online. 2026 is my 8th year of participating. I have stitched daily observations, painted my egg cup collection, collaged postcards and envelopes, written poems, explored colour palettes .... this year I am researching, sketching and stitching 100 inspiring women. Fortunately I purchased a piece of beautiful linen, with preprinted outlines of 100 women ... just one issue - the figures are tiny (height 6cm /2.5 ins) My first week started tentatively ... I thought I would start with Empress Wu, after whom I named my creative activity. This is when I discovered how difficult it is to applique and stitch on these very small figures - I used tweezers to put pieces of fabric down, tried t...

  No new year’s resolutions , but I like the idea of words shaping a year …. I  did not choose JOY - I chose PLAY and CHALLENGE, which I think also fits the upcoming  Chinese Year of the  Horse…. “ The year 2026 signifies a fresh start, embodying the dynamic Year of the Fire Horse in the Chinese zodiac, representing energy, freedom, and innovation, coupled with a Universal Year 1 in numerology, signalling new beginnings and pioneering action “  How did JOY become the focus of this story?  Where better to start than with the weekly colour prompts  #coloricombo by EsteMacleod …these are published each Monday night ( Australian Eastern Summer Time) , so I’ve had  a week to work on these . Added to the colour prompts Este has also intensified the challenge by including a different shape or form each week.  This week, she chose the word/letters J O Y Between workshops, travelling and other projects, I spent a few hours cutting and   pa...

Matriarch? Definitions of ‘matriarch” don’t differ much, but the following one suits my purpose …. A matriarch is a willing protector, a nurturer, and a leader of her family and community. She is a role model, particularly for women, and a fierce advocate for causes close to her heart. She is empowered and makes it her job to empower others. She is open-minded and utilizes her wisdom for the good of all.   ( from https://medium.com › a-matriarch-in-the-making-52b42)   The debate whether a matriarch is the exact opposite of patriarch delves deeper into power relationships and the established   dominance of gender in governing bodies.   I   will not be subscribing to that serious debate in this blog as I just wanted to make an art doll which has a story. The Matriarch I created is an amalgam of European and First Nations concepts of matriarchs: Guardian   of Nature Protector of Environment Healer and Nurturer Cultural Keeper Decision Maker...

  It's  so close to the end of the month, but honestly, I'm not  ready to give up yet. I've only had one day when I was too tired to give any creative attention to making a card. Some other days have been hard to fit in the time as I set myself the goal of  taking a photo of a finished little work by 5pm each day.  What  have I  found difficult?  - choosing a postage stamp. - coming up with 'different' ideas and bringing  the ideas to life quickly  -  including both stamp and stitch into the design ( occasionally) .  - compromising by using some previously stitching samples.  - no time for revision.  What have I enjoyed?  - knowing I will have 30 Christmas cards made , ready for posting by 1 December.  - sorting through my stash of beautiful Christmas stamps.  - combining media ( although that is also what I found difficult!) . - deciding who will be the recipient of each card.  - the focus of crea...

 A few years ago, I began scheduling into my day, the routine of a daily art practice.... seven years later, I still love #the100dayproject and am a strong advocate of "create something, anything, every day" .  In more recent years, I haven't been content with a mere 100 days and have often pursued shorter /or longer projects requiring some daily attention. For example, I completed 145 days of slow stitching my garden and then another 60 day random cross stitch garden.... but that's a digression....  This month, I am being far more practical... I still like to send and give Christmas cards, but am always getting them in the post very late, and trying to make some  special unique cards  for the family the night before.... so all this month, I am making Christmas cards - just one a day. By 30 November, I should have some to choose from for posting within Australia and for giving in December.  Here are my first 4 days ....  If you're wondering why bother ...