Empress Wu Designs with Wilma

Posts

A Jaunty Josie from JOY - How did that happen?

No new year’s resolutions , but I like the idea of words shaping a year …. I did not choose JOY - I chose PLAY and CHALLENGE, which I think also fits the upcoming Chinese Year of the Horse…. “ The year 2026 signifies a fresh start, embodying the dynamic Year of the Fire Horse in the Chinese zodiac, representing energy, freedom, and innovation, coupled with a Universal Year 1 in numerology, signalling new beginnings and pioneering action “ How did JOY become the focus of this story? Where better to start than with the weekly colour prompts #coloricombo by EsteMacleod …these are published each Monday night ( Australian Eastern Summer Time) , so I’ve had a week to work on these . Added to the colour prompts Este has also intensified the challenge by including a different shape or form each week. This week, she chose the word/letters J O Y Between workshops, travelling and other projects, I spent a few hours cutting and pa...

The Making of a Matriarch

Matriarch? Definitions of ‘matriarch” don’t differ much, but the following one suits my purpose …. A matriarch is a willing protector, a nurturer, and a leader of her family and community. She is a role model, particularly for women, and a fierce advocate for causes close to her heart. She is empowered and makes it her job to empower others. She is open-minded and utilizes her wisdom for the good of all. ( from https://medium.com › a-matriarch-in-the-making-52b42) The debate whether a matriarch is the exact opposite of patriarch delves deeper into power relationships and the established dominance of gender in governing bodies. I will not be subscribing to that serious debate in this blog as I just wanted to make an art doll which has a story. The Matriarch I created is an amalgam of European and First Nations concepts of matriarchs: Guardian of Nature Protector of Environment Healer and Nurturer Cultural Keeper Decision Maker...

Reflecting on Christmas Cards Past - November Project Update

It's so close to the end of the month, but honestly, I'm not ready to give up yet. I've only had one day when I was too tired to give any creative attention to making a card. Some other days have been hard to fit in the time as I set myself the goal of taking a photo of a finished little work by 5pm each day. What have I found difficult? - choosing a postage stamp. - coming up with 'different' ideas and bringing the ideas to life quickly - including both stamp and stitch into the design ( occasionally) . - compromising by using some previously stitching samples. - no time for revision. What have I enjoyed? - knowing I will have 30 Christmas cards made , ready for posting by 1 December. - sorting through my stash of beautiful Christmas stamps. - combining media ( although that is also what I found difficult!) . - deciding who will be the recipient of each card. - the focus of crea...

A November project

A few years ago, I began scheduling into my day, the routine of a daily art practice.... seven years later, I still love #the100dayproject and am a strong advocate of "create something, anything, every day" . In more recent years, I haven't been content with a mere 100 days and have often pursued shorter /or longer projects requiring some daily attention. For example, I completed 145 days of slow stitching my garden and then another 60 day random cross stitch garden.... but that's a digression.... This month, I am being far more practical... I still like to send and give Christmas cards, but am always getting them in the post very late, and trying to make some special unique cards for the family the night before.... so all this month, I am making Christmas cards - just one a day. By 30 November, I should have some to choose from for posting within Australia and for giving in December. Here are my first 4 days .... If you're wondering why bother ...

How does your garden grow with stitch?

"How does your garden grow with stitch?" is an update on a post I published way back in 2015, when I stitched my first "impressionist garden" for a course I was studying at the Embroiderers' Guild. Gardens are my constant inspiration for my artwork, and I create gardens in cloth and stitch repetitively, using many different techniques. I am particularly fond of this heavily stitched embroidered "impressionist" garden. In 2016, I stitched two small gardens in this style for an exhibition and they included photos of my husband's grandmother and her brother and sister as children. Although the collector who bought these two works did not know our family, the children reminded him of his own family from England of about the same era. These two 'gardens' have become my "stitch" reference and images which best showcase the technique although I don't have the originals any more. Since then, quite a few other gardens have gro...

Bilby Infatuation

Wrapped wire and fabric bilby sculpture : Wilma Simmons 2016 Over the years I have been fascinated with the plight of the bilby and it has inspired quite a few of my cloth creations... With long pinkish-coloured ears and silky, blue-grey fur, the Bilby has become Australia’s version of the Easter Bunny. Unlike the rabbit, bilby numbers are falling rapidly. There were originally two species but the Greater Bilby is now commonly referred to simply as ‘the Bilby’ as the Lesser Bilby (Macrotis leucura) is thought to have become extinct in the early 1950s... Bilbies are nocturnal, emerging after dark to forage for food. Using their long snouts, they dig out bulbs, tubers, spiders, termites, witchetty grubs and fungi. They use their tongues to lick up grass seeds. Bilbies have poor sight and rely on good hearing and a keen sense of smell. To minimise threats from predators they’ll mostly stay within 250m of their burrows, but sometimes roam further afield depending on the food...