Empress Wu Designs with Wilma

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Stitching Stories of Strength

Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article Member Spotlight: Wilma Simmons Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...

Taste Over Health?

Wilma Simmons: Thorax and Eucalyptus Leaves :hand embroidered x-ray; 2024 For a few years, I've been learning more about the healing quality of plants and testing out various well known remedies ... for example, boiling up eucalyptus leaves to use as a steam inhalant does act as an effective respiratory decongestant. It takes a little more effort to create meals which hit the sweet spot of being tasty, nutritious and health promoting. Did you know that it's predicted that our brain processes taste information first, before perceived health and this can affect our overall decision making? “ For many individuals, health information enters the decision process too late (relative to taste information) to drive choices toward the healthier option. ... We’ve always assumed people make unhealthy choices because that’s their preference or because they aren’t good at self control ” says study coauthor Nicolette Sullivan. “It turns out it...

Stitched Gardens and Magpies

Magpies are always around in our garden , strutting, poking about for insects and having a splash in the birdbath. They often call if the water is at a low level in the birdbath until one of us replenishes the water supply. It is no coincidence then that they have figured prominently as part of recent little works in the stitched garden series. I also like to include human figures in my gardens, especially taken from old photos of family members. This "impressionist ' stitched garden features my husband's great aunt, Sarah Ann Bath. I like to think of her in this abundant garden , when in reality, she grew up in the early 1900s in rather cramped living conditions in Birmingham UK See more and read more about my stitched gardens - other posts: How does your garden grow with stitch? How does your garden grow with crayons?

Stitched Faces

I 've always enjoyed that imperfect line of "not quite in control' free motion machine stitching.... I think it really suits creating portraits , giving them some character and even a quirkiness that hints of personality plus. These ones below are from my " Red Cheeks" series from a couple of years ago, and are amongst my favourite stitched portraits. The current Stitch Club ( textileartist.org) workshop, by Batool Showghi has inspired me to stitch more this week. Batool , of course, is in complete control of her machine stitching and her works are exquisite and they tell a moving story. ... " Working with paper, print, paint and stitch, her textile art bears witness to displacement, silenced women and the damage that authoritarian regimes impose on ordinary lives. Batool’s mixed media wall pieces are incredibly striking, but her artist books truly set her apart. Printed imagery of family photographs, birth certificate documents and her o...

Meditations on Mercator

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April – 10 May 2026 …. Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...