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Connecting and Interpreting : Story #5 from the ATASDA Collaborative Golden Cape - Broken Circle

  Connecting and Interpreting : Story #5 from the ATASDA Collaborative Golden Cape  Background : The Golden Cape is a collaborative project for ATASDA members and it celebrates the 50th Anniversary of ATASDA in 2024. 50 present day members have  received  an image of one of 50 yesteryear members artworks, to use as a muse, to create new artwork based on the past. Inspiration can come from textures, colours, style, design, subject, culture or history of the original artwork.  The new artworks have become panels stitched together to create a Golden Cape - an anniversary art wearable .  The Golden Cape will be displayed at various venues around Australia from May 2024.  ATASDA  member Susan Pepper chose an original work from the 2014 exhibition as her inspiration for her Golden cape contribution.  Elizabeth Robert's Ferris Wheel featured a play of circular light and movement within a subdued colour palette.  Susan Pepper's new work ref...

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape

  Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape  Background : This year, 2024, ATASDA ( Australian Textile Arts and Surface Design Association) is celebrating its Golden Anniversary. The Collaborative Golden Cape is a celebratory garment representing 50 years of creativity in textile arts. Members of ATASDA have joined together to create a beautiful cape comprising of 50 art panels inspired by 50 past ATASDA artworks. Each contribution to the Cape is a personal response to its corresponding historic artwork and its story. The Golden Cape, embellished with these beautiful cameos of textile art and surface design, will travel and be displayed throughout Australia. Parrwang:  Jo-Anne Britt drew inspiration for her contribution to the cape from the 1987 work by Bobbie Winger . This was a dramatic wearable textile artwork, entitled , "Dancing Cloak for a Currawong". The limited colour palette and the "feathery" form of the cloak reall...