Skip to main content

Posts

Showing posts with the label #empresswu

Stitched Gardens and Magpies

  Magpies are always around  in our garden , strutting, poking about for insects and having a splash in the birdbath.  They often call if the water is at a low level in the birdbath until one of us replenishes the water supply. It is no coincidence then that they have figured prominently as part of  recent little works in the stitched garden series.  I also like to include human figures in my gardens, especially taken from old photos of family members. This "impressionist ' stitched garden features  my husband's great aunt,  Sarah Ann Bath.  I like to think of her in this abundant garden , when in reality,  she grew up  in the early 1900s in rather cramped living conditions in Birmingham UK  See more and read more about my stitched gardens - other posts:  How does your garden grow with stitch?  How does your garden grow with crayons? 

Stitched Faces

I   've always enjoyed that imperfect line of  "not quite in control' free motion machine stitching....  I think it really suits creating portraits , giving them some character and even a quirkiness that hints of personality plus.  These ones below are from my " Red Cheeks" series from a couple of years ago, and are amongst my favourite stitched portraits.  The current Stitch Club ( textileartist.org) workshop, by  Batool Showghi has inspired me to stitch more this week. Batool , of course, is in complete control of her machine stitching and her works are exquisite and they tell a moving story.  ... " Working with paper, print, paint and stitch, her textile art bears witness to displacement, silenced women and the damage that authoritarian regimes impose on ordinary lives. Batool’s mixed media wall pieces are incredibly striking, but her artist books truly set her apart. Printed imagery of family photographs, birth certificate documents and her o...

Meditations on Mercator

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April  – 10 May 2026   ….  Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...

#the100dayproject : Inspiring Women Days 1 - 4

#The100DayProject is a *free* global art project that takes place online 🎨 E very year, thousands of people all around the world commit to 100 days of creating. Anyone can participate . ​The idea is simple: choose a creative project, do it every single day for 100 days, and document and share the process online. 2026 is my 8th year of participating. I have stitched daily observations, painted my egg cup collection, collaged postcards and envelopes, written poems, explored colour palettes .... this year I am researching, sketching and stitching 100 inspiring women. Fortunately I purchased a piece of beautiful linen, with preprinted outlines of 100 women ... just one issue - the figures are tiny (height 6cm /2.5 ins) My first week started tentatively ... I thought I would start with Empress Wu, after whom I named my creative activity. This is when I discovered how difficult it is to applique and stitch on these very small figures - I used tweezers to put pieces of fabric down, tried t...

The Making of a Matriarch

Matriarch? Definitions of ‘matriarch” don’t differ much, but the following one suits my purpose …. A matriarch is a willing protector, a nurturer, and a leader of her family and community. She is a role model, particularly for women, and a fierce advocate for causes close to her heart. She is empowered and makes it her job to empower others. She is open-minded and utilizes her wisdom for the good of all.   ( from https://medium.com › a-matriarch-in-the-making-52b42)   The debate whether a matriarch is the exact opposite of patriarch delves deeper into power relationships and the established   dominance of gender in governing bodies.   I   will not be subscribing to that serious debate in this blog as I just wanted to make an art doll which has a story. The Matriarch I created is an amalgam of European and First Nations concepts of matriarchs: Guardian   of Nature Protector of Environment Healer and Nurturer Cultural Keeper Decision Maker...

A November project

 A few years ago, I began scheduling into my day, the routine of a daily art practice.... seven years later, I still love #the100dayproject and am a strong advocate of "create something, anything, every day" .  In more recent years, I haven't been content with a mere 100 days and have often pursued shorter /or longer projects requiring some daily attention. For example, I completed 145 days of slow stitching my garden and then another 60 day random cross stitch garden.... but that's a digression....  This month, I am being far more practical... I still like to send and give Christmas cards, but am always getting them in the post very late, and trying to make some  special unique cards  for the family the night before.... so all this month, I am making Christmas cards - just one a day. By 30 November, I should have some to choose from for posting within Australia and for giving in December.  Here are my first 4 days ....  If you're wondering why bother ...

How does your garden grow with stitch?

"How does your garden grow with stitch?" is an update on a post I published way back in 2015, when I stitched my first "impressionist garden" for a course I was studying at the Embroiderers' Guild.  Gardens are my constant inspiration for my artwork, and I create gardens in cloth  and stitch repetitively, using many different techniques. I am particularly fond of this heavily stitched embroidered "impressionist" garden.  In 2016, I stitched two small gardens in this style for an exhibition and they included photos of  my husband's grandmother and her brother and sister as children. Although the collector who bought these two works did not know our family, the children reminded him of his own family from England of about the same era. These two 'gardens'   have become my "stitch" reference and images which best showcase the technique although I don't have the originals any more.   Since then,  quite a few other gardens have gro...

Bilby Infatuation

  Wrapped wire and fabric bilby sculpture : Wilma Simmons 2016  Over the years I have been fascinated with the plight of the bilby and it has inspired quite a few of my cloth creations... With long pinkish-coloured ears and silky, blue-grey fur, the Bilby has become Australia’s version of the Easter Bunny. Unlike the rabbit, bilby numbers are falling rapidly. There were originally two species but the Greater Bilby is now commonly referred to simply as ‘the Bilby’ as the Lesser Bilby (Macrotis leucura) is thought to have become extinct in the early 1950s... Bilbies are nocturnal, emerging after dark to forage for food. Using their long snouts, they dig out bulbs, tubers, spiders, termites, witchetty grubs and fungi. They use their tongues to lick up grass seeds. Bilbies have poor sight and rely on good hearing and a keen sense of smell. To minimise threats from predators they’ll mostly stay within 250m of their burrows, but sometimes roam further afield depending on the food...