When the garden takes over ....

Stitching a 'garden' background - Wilma Simmons

Using gardens as inspiration for art is long established practice in the fine arts, including textile arts. Monet's painting are amongst my favourite artworks and there is no shortage of treatises about the gardens in art.

https://www.booktopia.com.au/monet-s-garden-in-art-debra-n-mancoff/book/

Some of my favourite textile artists ( like Anne Kelly) turn to gardens as a source of unending inspiration.

https://www.textileartist.org/small-worlds-recycled-textile-art-by-anne-kelly

In a considerably more humble way, I have recently been featuring plants from our garden in my small wearable art pin series for #the100dayproject. Although we are in the winter phase of the garden where the colour palette is a more subdued, there are still some beautifully bright flowers, like the purple black eyed African daisies, late summer marigolds, tiny native violets and their potted cousins, violas. Even the pure white rice flower plant appears to be shining in the soft sunshine .
Leaves from deciduous trees and plants even put on a display of colour as they turn Autumn gold and red - I have particularly enjoyed stitching these rich colours. Even on the greyest of days, there is always something which attracts interest in the garden , even if it is a single leaf on the ground or caught in a spider web, or vegetable seedlings growing up towards the garden supports.

#100pinpoems - Wilma Simmons

I could honestly say that the garden has taken over my days - not only trying to get some late produce seedlings into the ground, but also taking photos and then interpreting my garden views in stitch.

I wonder if the benefits of gardening will be doubled if I both spend some time tending the garden as well as depicting it in my art activities? Let's hope so...

https://www.gardenbuildingsdirect.co.uk/blog/why-gardening-is-good-for-you/

Comments

Too Precious to Waste

Stitched tea bags/ old doily "tea lights" - Wilma Simmons More than a year ago, a decision was made. The annual exhibition of NCEATA ( Newcastle Creative Embroiderers and Textile Artists) 2015-2016 will have the theme "Mottainai". Mottainai in Japanese refers to more than just physical waste (resources). It is even used to refer to thought patterns that give rise to wasteful action. Grammatically, it can be used in Japanese as an exclamation ("mottainai!") or as an adjective phrase ("it feels mottainai"). There is no plural form. The collection of mottainai things could be called mottainai koto ( もったいない事 ? ). As an exclamation ("mottainai!") it means roughly "what a waste!" or "Don't waste." [2] A simple English equivalent is the saying "waste not, want not." A more elaborate meaning conveys a sense of value and worthiness and may be translated as "do not destroy (or lay waste to) that

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks .... The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or my husband or from off cuts gifted to us from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks. Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt or mould small face masks for these dolls. I really like using "sari ribbon" as wrapping str

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape Background : This year, 2024, ATASDA ( Australian Textile Arts and Surface Design Association) is celebrating its Golden Anniversary. The Collaborative Golden Cape is a celebratory garment representing 50 years of creativity in textile arts. Members of ATASDA have joined together to create a beautiful cape comprising of 50 art panels inspired by 50 past ATASDA artworks. Each contribution to the Cape is a personal response to its corresponding historic artwork and its story. The Golden Cape, embellished with these beautiful cameos of textile art and surface design, will travel and be displayed throughout Australia. Parrwang: Jo-Anne Britt drew inspiration for her contribution to the cape from the 1987 work by Bobbie Winger . This was a dramatic wearable textile artwork, entitled , "Dancing Cloak for a Currawong". The limited colour palette and the "feathery" form of the cloak reall

Empress Wu Designs with Wilma

Search This Blog