Skip to main content

Textile Weekend in Brisbane

The Brisbane Textile Festival was not advertised as a heavenly event but an angel was there admiring the creative work! This golden vision was a real person of course, perhaps just stunned by the amazing work.  The main exhibition was Circus Berserkus,wearable art ... there was a festival of colour ... just a few of the works I photographed.  The third photo is a close up of the "Tightrope Walker" by Kirry Toose, the winner.


One of the exhibitions which captured my attention was the sewing machine "tattoos" or art skins ... textile art transferred to sewing machines... one way to personalise your machine!


I was happy when I heard the winners of the best "dressed" stalls. They were amongst my favourites, too .
2 World Textiles and Tours was the best small stall and Dairing was the best large stall 


I fitted in a couple of workshops and was happy to have some time on a 12 needle embellisher machine. I made a wall hanging using only synthetic fabrics. I think it needs some hand stitching to bring it to life, but I though it was a reasonable effort for an hour and half!

 I did try to spend a little bit of time to visit with my niece, too and appreciate the views from her balcony. The weather was cold,rainy and windy, but there was one brave black raven resting on the building.

A very enjoyable and indulgent weekend...

Comments

  1. This blog makes me want to be there so I can immerse myself in the colors and textures. It's beautiful.

    ReplyDelete

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

#SeptTextileLove26 … Introduction.

  A last minute decision to join #septtextilelove26 … so here I am #stl26day1 … Wilma from Newcastle, NSW , Australia , stitching in my garden - my favourite way to spend the day.  I love working with textiles and found objects and as I get older, I enjoy and appreciate the gentle calm of stitching even more . #septtextilelove #empresswu seam collective #SeptTextileLove — 2026 edition! What began back in September 2017 has grown into something truly special — a welcoming textile community that comes together every single year! What makes #SeptTextileLove truly stand out? It’s the connection! Every day, we at seam go through all your wonderful posts and choose three to highlight and celebrate. It’s the conversation between participants, t— and it all comes together in our final prompt on Day 30: “Your favourite post from another participant” — a beautiful way to lift each other up and wrap up the month together. All of September: one textile prompt a day. Respond to as many o...

Stitching Stories of Strength

  Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article  Member Spotlight: Wilma Simmons  Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...