Stitched Gardens and Magpies

Magpies are always around in our garden , strutting, poking about for insects and having a splash in the birdbath. They often call if the water is at a low level in the birdbath until one of us replenishes the water supply. It is no coincidence then that they have figured prominently as part of recent little works in the stitched garden series.

I also like to include human figures in my gardens, especially taken from old photos of family members. This "impressionist ' stitched garden features my husband's great aunt, Sarah Ann Bath. I like to think of her in this abundant garden , when in reality, she grew up in the early 1900s in rather cramped living conditions in Birmingham UK

See more and read more about my stitched gardens - other posts:

How does your garden grow with stitch?

How does your garden grow with crayons?

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"Temari Or Not Temari?" Tutorial

Background Information: Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start with a polystrene ball ( traditionally the balls were wound silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap. 2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

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Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article Member Spotlight: Wilma Simmons Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...

Fish and Sticks : Art Dolls

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Empress Wu Designs with Wilma

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