Skip to main content

How does your garden grow with stitch?


"How does your garden grow with stitch?" is an update on a post I published way back in 2015, when I stitched my first "impressionist garden" for a course I was studying at the Embroiderers' Guild. 

Gardens are my constant inspiration for my artwork, and I create gardens in cloth  and stitch repetitively, using many different techniques. I am particularly fond of this heavily stitched embroidered "impressionist" garden. 

In 2016, I stitched two small gardens in this style for an exhibition and they included photos of  my husband's grandmother and her brother and sister as children. Although the collector who bought these two works did not know our family, the children reminded him of his own family from England of about the same era. These two 'gardens'   have become my "stitch" reference and images which best showcase the technique although I don't have the originals any more. 


 Since then,  quite a few other gardens have grown, often to celebrate significant birthdays of family and friends ...  pictured, one square in 2017, stitched as a contribution to a family quilt for my husband, and the other in 2018, for a friend's 80th birthday. 


What prompted a recent return to these stitched gardens?  Over the last few years, I have stitched a series called "Garden Threads" - a slow stitching  abstract exploration of colour, using only basic stitches - running stitch and random cross stitch. This year,  I started embroidery some "healing" flowers and really enjoyed the process of representing flowers in stitch again . 



And like that, a new series was started this year, 2025 .... and just this last weekend, I shared the process with six lovely stitchers, who I think enjoyed the experience of stitching a garden too. 

 ( Look for a future post about the workshop  fun ) 





Link to the previous post about stitched gardens , including the colouring of the backgrounds with crayons ....  How does your garden grow with crayons? 

https://empresswu.blogspot.com/2015/04/how-does-your-garden-grow-with-crayons.html. 




 

Comments

Popular posts from this blog

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Stitching Stories of Strength

  Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article  Member Spotlight: Wilma Simmons  Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...