Skip to main content

How does your garden grow with stitch?


"How does your garden grow with stitch?" is an update on a post I published way back in 2015, when I stitched my first "impressionist garden" for a course I was studying at the Embroiderers' Guild. 

Gardens are my constant inspiration for my artwork, and I create gardens in cloth  and stitch repetitively, using many different techniques. I am particularly fond of this heavily stitched embroidered "impressionist" garden. 

In 2016, I stitched two small gardens in this style for an exhibition and they included photos of  my husband's grandmother and her brother and sister as children. Although the collector who bought these two works did not know our family, the children reminded him of his own family from England of about the same era. These two 'gardens'   have become my "stitch" reference and images which best showcase the technique although I don't have the originals any more. 


 Since then,  quite a few other gardens have grown, often to celebrate significant birthdays of family and friends ...  pictured, one square in 2017, stitched as a contribution to a family quilt for my husband, and the other in 2018, for a friend's 80th birthday. 


What prompted a recent return to these stitched gardens?  Over the last few years, I have stitched a series called "Garden Threads" - a slow stitching  abstract exploration of colour, using only basic stitches - running stitch and random cross stitch. This year,  I started embroidery some "healing" flowers and really enjoyed the process of representing flowers in stitch again . 



And like that, a new series was started this year, 2025 .... and just this last weekend, I shared the process with six lovely stitchers, who I think enjoyed the experience of stitching a garden too. 

 ( Look for a future post about the workshop  fun ) 





Link to the previous post about stitched gardens , including the colouring of the backgrounds with crayons ....  How does your garden grow with crayons? 

https://empresswu.blogspot.com/2015/04/how-does-your-garden-grow-with-crayons.html. 




 

Comments

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Evolution of Message Stick Art Dolls

Message Stick Art Doll - stick, polymer clay, hand dyed & stencilled fabric with embroidery  My    message stick art dolls    have evolved over the last couple of years.  Why have I called these art dolls “Message Sticks” ?    I wanted to recreate a doll which was based on traditional techniques, so I have used ideas from a few different cultures. Many traditional dolls were made from wood - often wrapped with fibres.   In Egypt, several types of paddle dolls have been discovered in tombs in Egypt. The dolls are made of wood, flat, and constructed in a shape has led the form to be called a 'paddle doll'. The dolls seemingly follow a convention for the female figure, emphasizing the hips and hair. The wooden figures are usually painted with a geometric pattern of lines and dots. These patterns may reproduce tattos or ritual scaring in female Egyptian culture of the period or represent clothing or jewellery.  A fine exampl...

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...