Skip to main content

Connecting and Interpreting : Story #6 from the ATASDA Collaborative Golden Cape - Regrowth



 Connecting and Interpreting : Story #6 from the ATASDA Collaborative Golden Cape 


Background : The Golden Cape is a collaborative project for ATASDA members and it celebrates the 50th Anniversary of ATASDA in 2024. 50 present day members have  received  an image of one of 50 yesteryear members artworks, to use as a muse, to create new artwork based on the past. Inspiration can come from textures, colours, style, design, subject, culture or history of the original artwork. 
The new artworks have become panels stitched together to create a Golden Cape - an anniversary art wearable .  The Golden Cape will be displayed at various venues around Australia from May 2024. 


Angela Liddy drew inspiration from Maz Beetson's 2007 work "Fire Regrowth"  for her contribution to the Golden Cape. 


Angela used  a traditional Korean technique "joomchi ' in her work. Joomchi is a 500-year-old paper-making technique that uses water to seal several layers of thin, handmade mulberry papers together to form a single, strong sheet. The paper is first wet, then, manipulated until the fibres are broken down, or felted, resulting in an almost leather like material. 

 
Colour choices and machine stitching combine to tell the story of regrowth after fires. 
Hope you will see ATASDA's Golden Anniversary Cape at a venue near to you.... 

Other stories in this series. 

Comments

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Giveaway - Gifts for You on My Birthday

Giveaway Gifts T his week is blog giveaway time! Last week I celebrated my birthday.  I’ve had far too many to count the candles, but I had a wonderful party on the weekend with my family - with an indulgent birthday cake, favourite foods cooked by my husband and great company. ( In case you were wondering about the writing on the cake , Por Por = Chinese grandmother)     I also got great gifts from  my family and friends. There seemed to be a bit of a theme this year – with many of my gifts and cards depicting matryshoka ( babushka) dolls and tea drinking.   As it is also winter here in Australia ,   it was easy for me to  decide what I could offer as gifts  in this birthday giveaway. All the gifts are handmade by me. Gift 1 - two little fabric matryshoka dolls  Gift 2- a little bag made from colourful teapot and teacup fabric . The design is called a jester bag, but it is suitable for carrying s...

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...