Skip to main content

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape

 

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape 

Background :
This year, 2024, ATASDA ( Australian Textile Arts and Surface Design Association) is celebrating its Golden Anniversary. The Collaborative Golden Cape is a celebratory garment representing 50 years of creativity in textile arts.
Members of ATASDA have joined together to create a beautiful cape comprising of 50 art panels inspired by 50 past ATASDA artworks. Each contribution to the Cape is a personal response to its corresponding historic artwork and its story. The Golden Cape, embellished with these beautiful cameos of textile art and surface design, will travel and be displayed throughout Australia.

Parrwang: 
Jo-Anne Britt drew inspiration for her contribution to the cape from the 1987 work by Bobbie Winger . This was a dramatic wearable textile artwork, entitled , "Dancing Cloak for a Currawong". The limited colour palette and the "feathery" form of the cloak really appealed to Jo-Anne and it's easy to see this attraction, even from this archived photo. 
Dancing Cloak for a Currawong : Bobbie Winger 1987 

Living on Wadawurrung land, Jo-Anne chose to interpret Bobbie's work by featuring the parrwang (magpie). The black and white might have been obvious, but Jo-Anne took the concept further and the colours she has included in her palette reflect the Australian magpie's eggs and the vast  blue sky as contrasts. I think these are  brilliant choices which add to the parrwang's narrative. 

Parrwang : Jo-Anne Britt 2023 

This completed panel for the collaborative cape shows careful consideration of materials and techniques and attention to detail before the abstraction of the parrwang wing feathers. 
Jo-Anne researched and sketched the parrwang wings, transferring the shapes onto silk fabric. Further details were created with fabric paints  and free machine stitching. 
When the entire piece was stitched, Jo-Anne cut shapes again and re-assembled an embellished abstract interpretation of the parrwang wing feathers. 

This is a such thoughtful textile artwork which so aptly celebrates the golden anniversary. Because the parrwang (magpie) is a highly adaptable bird that can thrive in a variety of environments, this has made it a symbol of adaptability and resilience. Jo-Anne's interpretation shows not only her skill and creativity but also her love and respect of her natural surroundings and indigenous Dreamtime.  This artwork  looks stunning as part of the Golden cape ( see lower right in the photo) 

Collaborative Golden Cape ( front)  ATASDA 2023-2024 



Other stories in this series.  Please check them out if you haven't already. 

Comments

Popular posts from this blog

#SeptTextileLove26 Day8

    SeptTextileLove #stl26day8 ‘Inspiring Exhibition’ … earlier this year , the Wednesday Makers Group at Timeless Textiles ( Newcastle, Australia) celebrated International Women’s Day with their exhibition, “Inspiring Women in Stitch’ - congratulations - inspiring women honouring inspiring women .   link to video   

#SeptTextileLove26 Day 9

  ‘ Craft or Art?’ … a continuing complex question, with, I guess, has no definitive answer. I’ve often wondered about traditional practices especially … as an example , temari ( Japanese stitched thread balls ). Even authorities on temari have called it ‘an ancient folk craft ’ as well as a traditional, highly artistic culture and skill in that each design shows the unique characteristics of the maker’s free ideas and creativity. ‘ (Japan Temari Association)… My mother taught me to make temari and she would always consider her own creations ‘craft’ and to me they are ‘art’!  Craft or art? Does it really matter what we call the techniques or the outcome of what we create ? 

#SeptTextileLove Day 10

  #SeptTextileLove #STL26Day10 ‘Low Impact ?’ … today I am highlighting an admirable decision by Newcastle ( NSW Australia) textile art gallery , Timeless Textiles . When you purchase from the gallery shop, the protective wrapping is made from recycled fabric - donated abandoned textiles, repurposed clothing and household linens, and sewing project scraps. Not only is this packaging practice low impact on the environment , it doesn’t cost much and making these bags requires minimal effort and only basic skills. However it has high impact as a thoughtful, aesthetic and sustainable retail practice. What other practices have you noticed retailers are using for a lower impact on the environment?