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Brooching the Subject Competition
"Remembering" - Wood, Clay and Cloth Sculpture : Wilma Simmons
Thank you to all who voted in the recent People's Choice - Brooching the Subject Competition held at Timeless Textiles Gallery ( Newcastle NSW Australia) . Special thanks if you happened to vote for my entry, 'Remembering', a wall brooch pictured above. The winner with the most votes online was a beautiful felted piece, another wall brooch, entitled " Papevero (Italian Poppy) " by Becky Williams.
Papevero : Becky Williams from https://timelesstextiles.com.au/past-exhibitions/
The competition in the gallery was judged by renowned Queensland artist, Sylvia Watt - Here is a video of what Sylvia decided and said about the brooches...
1. Water Guardian : Alysn Midgelow-Marsden ; 2. Amelia : Judith Bee ; 3. We are Connected - Trudi Nisbet
All of the brooches can be viewed on the Timeless Textiles Gallery website here. Congratulations to all the artists who entered - the exhibition was amazing!
Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by UK Fibre Artist Sue Hotchkis . Here is a little about the techniques of this amazing textile artist from her own website ... Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...
Background Information: Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start with a polystrene ball ( traditionally the balls were wound silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap. 2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...
from Facebook Page /The Fruitcake Lady There are not many people who can say they showed Mel Gibson and Tom Cruise how to make fruitcake on TV. Marie Rudisill (1911-2006), known as the Fruitcake Lady was an author, a celebrated cook and a minor TV personality. She was well known on US television as a 90+year old who appeared regularly on "The Tonight Show" hosting an" agony aunt" segment, giving advice on all kinds of life's issues. Her forthright answers and wicked sense of humour endeared her to audiences although she was outspokenly intolerant and irrationally biased. The Fruitcake Lady's other claim to fame was that she was the aunt of Truman Capote, highly acclaimed author, and this connection was used in her own writing. Her published works included: Truman Capote , The Story of His Bizarre and Exotic Childhood by an Aunt Who Helped to Raise Him (1983) Sook's Cookbook : Memories and Traditional Recipes from the Deep South (1989) ...
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