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Brooching the Subject Competition
"Remembering" - Wood, Clay and Cloth Sculpture : Wilma Simmons
Thank you to all who voted in the recent People's Choice - Brooching the Subject Competition held at Timeless Textiles Gallery ( Newcastle NSW Australia) . Special thanks if you happened to vote for my entry, 'Remembering', a wall brooch pictured above. The winner with the most votes online was a beautiful felted piece, another wall brooch, entitled " Papevero (Italian Poppy) " by Becky Williams.
Papevero : Becky Williams from https://timelesstextiles.com.au/past-exhibitions/
The competition in the gallery was judged by renowned Queensland artist, Sylvia Watt - Here is a video of what Sylvia decided and said about the brooches...
1. Water Guardian : Alysn Midgelow-Marsden ; 2. Amelia : Judith Bee ; 3. We are Connected - Trudi Nisbet
All of the brooches can be viewed on the Timeless Textiles Gallery website here. Congratulations to all the artists who entered - the exhibition was amazing!
#SeptTextileLove #STL26Day11 ‘Language’ …when symbols in stitch say more than words … my wonderful Wednesday Makers group has undertaken a community peace project ‘Petals for Peace’ - stitched prayer flags depicting flowers , symbolic of peace. . We have stitched many ourselves and other stitchers from all over Australia have also been contributing as an impactful counter to the hate speech which seems to have pervaded our world currently - the powerful language of stitch.
#SeptTextileLove #STL26Day12 ‘Friendship’ … This is a story of friendship based on the love of textiles and fibre art . Gallerist and artist, Anne Kempton and I have been friends for 15 years , meeting when we had both retired from ‘ top’ jobs in a government department and a high school respectively. Neither of us were the retiring types - Anne was establishing the first commercial textile art gallery in Australia and I was looking for a creative direction. We discovered we were both driven by a sense of social justice and community and shared similar artistic aspirations . Since then, we have co- curated exhibitions, collaborated on many projects. supported community art and women’s causes, and grown in our individual artistic expression - Anne includes more stitching in her work and she has had a more painterly influence on mine . Moreover, this friendship is multifaceted, deep and personal and one I value and treasure . Thank you, Anne.
#SeptTextileLove #STL26Day10 ‘Low Impact ?’ … today I am highlighting an admirable decision by Newcastle ( NSW Australia) textile art gallery , Timeless Textiles . When you purchase from the gallery shop, the protective wrapping is made from recycled fabric - donated abandoned textiles, repurposed clothing and household linens, and sewing project scraps. Not only is this packaging practice low impact on the environment , it doesn’t cost much and making these bags requires minimal effort and only basic skills. However it has high impact as a thoughtful, aesthetic and sustainable retail practice. What other practices have you noticed retailers are using for a lower impact on the environment?
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