Skip to main content

Stitch, stitch and then stitch again.


Lots of stitching - I am not sure what this technique is called but I learnt this at NCEATA - Newcastle Creative Embroiderers and Textile Artists, where one of the members, Aileen  demonstrated how she creates such interesting fabric from scraps.

1. Small scraps of patterned and/or plain fabrics are placed side by side on some iron-on  interfacing.
2. Iron everything down to hold in place.
3.Then use a decorative  stitch  on your sewing machine. Use a matching colour of one piece of fabric, stitch over it, going off the edges over the adjoining pieces.
4. Change the thread colour and stitch again, choosing one of the adjoining pieces of fabric.
5. Then stitch again ... repeating the sequence over and over again.


The first project I made was a piece of fabric large enough to cover an A5 size note book.


Then I tried the technique out on smaller pieces for tags


I also tried a variation of the technique. Instead of  using bits of fabric, I coloured some white cotton with pencils and then stitched in the same fashion. I like the effect, but it doesn't have the texture of my previous samples. What do you think?




Comments

  1. Your work looks great Wilma and I love how you tried the technique on other items.

    ReplyDelete
    Replies
    1. Thanks Daniela. This is such a a great technique - easy with good results. I think I am a bit addicted to it.

      Delete

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

Giveaway - Gifts for You on My Birthday

Giveaway Gifts T his week is blog giveaway time! Last week I celebrated my birthday.  I’ve had far too many to count the candles, but I had a wonderful party on the weekend with my family - with an indulgent birthday cake, favourite foods cooked by my husband and great company. ( In case you were wondering about the writing on the cake , Por Por = Chinese grandmother)     I also got great gifts from  my family and friends. There seemed to be a bit of a theme this year – with many of my gifts and cards depicting matryshoka ( babushka) dolls and tea drinking.   As it is also winter here in Australia ,   it was easy for me to  decide what I could offer as gifts  in this birthday giveaway. All the gifts are handmade by me. Gift 1 - two little fabric matryshoka dolls  Gift 2- a little bag made from colourful teapot and teacup fabric . The design is called a jester bag, but it is suitable for carrying s...

Stitching Stories of Strength

  Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article  Member Spotlight: Wilma Simmons  Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...