Birding with Abigail Brown

Close up of fabric owl - Wilma Simmons, Empress Wu Designs 2015.

Abigail Brown is described as a creature textile designer extraordinaire, and having met Abigaill recently, I would add a very talented, generous, spirited and beautiful artist. Her vibrant work rejoices in the amazing beauty of nature ... here is what Abigail says about her stunning soft sculptures ....

I am excited by the opportunity to create life from these flat pieces of cloth, working with their weave to mould shapes, fraying their edges to form feathered breasts, creating stiffened tail feathers from something that was limp. That final placing of the eye and a new life is born...The Animal Kingdom is the inspiration behind all my work. I am fascinated by its rituals and language, a world of mystery and secrets on which we can but speculate. My fabric bird sculptures are a celebration of textures, patterns, colours and forms that delight me in nature.

Abigail Brown with workshop participants' birds

I thoroughly enjoyed the workshop with Abigail at Timeless Textiles, Newcastle ( NSW Australia) and created a simple bird on the first day under Abigail's guidance.

Green bird - Wilma Simmons, Empress Wu Designs, 2015

Basic bird in progress - Wilma Simmons, Empress Wu Designs. 2015

Basic Bird in progress - Wilma Simmons, Empress Wu Designs 2015

When it was time to create our own pattern, I chose a woodland owl, because my owl collector sister's birthday was imminent, and I had recently dyed some wool with eucalypt leaves which I though would look good as an owl body. So with other hand dyed fabrics and a batik shirt abandoned by my husband, an owl is born.....

Early stages of owl in progress - Wilma Simmons, Empress Wu Designs, 2015

Sample of feathers, and various fabric feathers - Wilma Simmons, Empress Wu Designs, 2015.

Some close ups - Owl by Wilma Simmons, Empress Wu Designs, 2015

'Owl in garden' by Wilma Simmons, Empress Wu Designs, 2015

Happy Birthday Owl - Wilma Simmons, Empress Wu Designs, 2015

Owl in new home with a previously created owl woman (circa 2009) Wilma Simmons, Empress Wu Designs, 2015

And as a post script.... many thanks to Anne Kempton from Timeless Textiles who organises fabulous artists like Abigail Brown to visit Newcastle to inspire many like myself to create....

Anne Kempton, Timeless Textiles with her little owl created in the Abigail Brown workshop, March 2015.

Bilby Infatuation

Wrapped wire and fabric bilby sculpture : Wilma Simmons 2016 Over the years I have been fascinated with the plight of the bilby and it has inspired quite a few of my cloth creations... With long pinkish-coloured ears and silky, blue-grey fur, the Bilby has become Australia’s version of the Easter Bunny. Unlike the rabbit, bilby numbers are falling rapidly. There were originally two species but the Greater Bilby is now commonly referred to simply as ‘the Bilby’ as the Lesser Bilby (Macrotis leucura) is thought to have become extinct in the early 1950s... Bilbies are nocturnal, emerging after dark to forage for food. Using their long snouts, they dig out bulbs, tubers, spiders, termites, witchetty grubs and fungi. They use their tongues to lick up grass seeds. Bilbies have poor sight and rely on good hearing and a keen sense of smell. To minimise threats from predators they’ll mostly stay within 250m of their burrows, but sometimes roam further afield depending on the food...

"Temari Or Not Temari?" Tutorial

Background Information: Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start with a polystrene ball ( traditionally the balls were wound silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap. 2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

Non-Committal Collage Anything Goes

Have you heard of non-committal collage? I hadn't until one of the other participants of the 100 Day Project started doing this each day and showing the results.... Here are Peggy's rules : 1. S elect 9 scraps of paper from collage box/stash 2. Make three different compositions using each scrap at least once. (some pieces can be used more than once) 3. Do not alter the scraps of paper in any way. 4.Do not use glue. 5.Take photo, disassemble and return scraps to box. I thought this would be a fun and quick exercise to do for Tag Tuesday's theme , Anything Goes... so here are my "non-committal collage" tags.... Did you spot the nine pieces? Would you like to suggest some titles? And I repeated the exercise before putting back the 9 scraps of paper, so these are different items. Hope you will try this exercise - it is lots of...

Empress Wu Designs with Wilma

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