Skip to main content

Great Start to a Bright New Year

No, I wasn't here either - this photo is courtesy of the Sydney Morning Herald,  but I was at the "Not the New Year's Eve Concert - Live the Music" at the Sydney Opera House  to celebrate the end of 2010.
It was a really fantastic concert with bright talented stars - soloist and orchestral musicians and opera singers. The venue was also magical . It doesn't matter how many times you visit the Opera House, each time is special . The architecture is amazing, the harbour sparkles and the concert hall is wondrous.



 What else have I done to herald the New Year?  I finally gave in and went to a SALE. I don't usually bother with the post-Christmas sales, but I just couldn't resist this skirt. It was still expensive even at half price, but it reminded me of a  wonderful boat ride down the Li River from Guilin to Yangshuo and it fitted me!
With the deadlines for the Art Dolls Only Challenges on New Year's Day, I have also been spending a lot of hours finishing off the two dolls for the Monthly and Quarterly Challenges. The December challenge was Jack Frost. It seemed a bit strange to be working on an icy themed doll when the temperature the other day was 39 degrees. I made "snowflakey" fabric with free form machine embroidery on water soluble fabric.


The doll I made for the other challenge "Copy the Masters" was inspired by the figure, Flora in  the masterpiece "Primavera" (Trumph of Spring) by Botticelli. She is a "stump" doll, with a cloth covered polymer clay head. I was rather fortunate finding a remnant voile, which was quite like the gown in the painting.

Hope you have enjoyed a great start to a bright new year, too.
PS Here is a link to a great youtube video of art dolls - mine is there too at the party. Just click....

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Too Precious to Waste

 Stitched tea bags/ old doily "tea lights" - Wilma Simmons  More than a year ago, a decision was made.  The annual exhibition of NCEATA ( Newcastle Creative Embroiderers and Textile Artists) 2015-2016 will have the theme "Mottainai". Mottainai in Japanese refers to more than just physical waste (resources). It is even used to refer to thought patterns that give rise to wasteful action. Grammatically, it can be used in Japanese as an exclamation ("mottainai!") or as an adjective phrase ("it feels mottainai"). There is no plural form. The collection of mottainai things could be called mottainai koto ( もったいない事 ? ). As an exclamation ("mottainai!") it means roughly "what a waste!" or "Don't waste." [2]  A simple English equivalent is the saying "waste not, want not." A more elaborate meaning conveys a sense of value and worthiness and may be translated as "do not destroy (or lay waste to) that

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as wrapping str

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape

  Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape  Background : This year, 2024, ATASDA ( Australian Textile Arts and Surface Design Association) is celebrating its Golden Anniversary. The Collaborative Golden Cape is a celebratory garment representing 50 years of creativity in textile arts. Members of ATASDA have joined together to create a beautiful cape comprising of 50 art panels inspired by 50 past ATASDA artworks. Each contribution to the Cape is a personal response to its corresponding historic artwork and its story. The Golden Cape, embellished with these beautiful cameos of textile art and surface design, will travel and be displayed throughout Australia. Parrwang:  Jo-Anne Britt drew inspiration for her contribution to the cape from the 1987 work by Bobbie Winger . This was a dramatic wearable textile artwork, entitled , "Dancing Cloak for a Currawong". The limited colour palette and the "feathery" form of the cloak reall