Skip to main content

Handmade for Christmas

Here is a little Christmas beetle I made this week for a gift swap today. A "Dolly" friend, Chye'in made some beautiful little painted beetles in July and then shared the pattern. So this is my version of the pattern.... using some leftover spotty print fabric and layered fabric I made from scraps.  My dear friend, Connie chose the "number" for my doll and I think she was happy to receive it. 
Thanks Chye'in for the pattern to make these endearing little creatures. Here are Chye'n's originals....
I also received in return a doll using the same pattern.... This is such a cute little girl.
I have been to a few Christmas parties lately and  received beautiful handmade gifts. These delicately perfumed sachets have been hand embroidered by Fay and are absolutely exquisite - such fine work perfectly stitched.
And here is great idea - a fabric bon bon. Not only beautiful but reuseable - a rectangle of lined Christmas fabric, with a plastic insert stitched between the layers of fabric, and a velcro closure. The centre was filled  with laces and sewing bits and pieces, complete with a party hat and a Christmas cracker joke - and of course a snapper!  I was the lucky person to receive this bon bon and goodies in a gift swap. Clever idea, Toni.
Have a great week leading to Christmas... enjoy a relaxing time  - I certainly plan to, even if all my Christmas cards don't get posted in time.
I wish you all a very merry Christmas and special moments shared with family and friends during the festive season.

Comments

Popular posts from this blog

Meditations on Mercator

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April  – 10 May 2026   ….  Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...