Mando, Papua New Guinea

The completed classrooms - last day in Mando

Me and newborn at Goroka Hospital

Our PNG "home"

I am starting my new blog to share the amazing experience of being a Rotary volunteer in Mando in the Eastern Highlands Province, Papua New Guinea. Mando is an absolutely beautiful village, in the mountains about 2000 metres above sea level, and approximately 60 km from Goroka. How did this happen? A few years ago, I met a remarkable woman with a vision, Wendy Stein, who wanted to make a difference and bring hope to people whose life expectancy was the second worst in the world. I promised to help her project to bring better educational and health facilites to this village and last month, my husband Jim and I were part of the Highland Dream team. Essentially, Jim was involved with building three new classrooms - no mean feat without a supply of water and electricity. I established a women's support group and taught classes in jewellery making, knitting and crochet in an effort to supplement their family incomes as subsistence farmers. I also experienced other aspects of the project - painting blackboards, sorting library books, making library borrowing cards, cooking, painting signs , taking photos ... Although I have no medical training, I had the great privilege of watching a volunteer doctor from Cameroon perform cataract operations with great dexterity and care (one every 15 minutes) and even greater excitement when I happened to be at the birth of a healthy baby girl! Other members of our team were involved in building a piggery and a chicken coop, organising the school library, literacy lessons, assessing children with disabilites with the hope of establishing a special needs class in 2009, vaccination days, hospital and medical clinic visits. Together, I think we were able to meet our goal of helping to "make dreams real" for these wonderful people in Mando village. We made many friends and we will never forget the warm and close relationships we developed with individuals we worked with - both Australian Rotarians on the team, and the local people in Mando. As one of our team summed up " It is a privilege to help this community - a proud and dignified people" . This is just a tiny glimpse of what we did - I wish I could post all my photos!

Comments

#SeptTextileLove26 … Introduction.

A last minute decision to join #septtextilelove26 … so here I am #stl26day1 … Wilma from Newcastle, NSW , Australia , stitching in my garden - my favourite way to spend the day. I love working with textiles and found objects and as I get older, I enjoy and appreciate the gentle calm of stitching even more . #septtextilelove #empresswu seam collective #SeptTextileLove — 2026 edition! What began back in September 2017 has grown into something truly special — a welcoming textile community that comes together every single year! What makes #SeptTextileLove truly stand out? It’s the connection! Every day, we at seam go through all your wonderful posts and choose three to highlight and celebrate. It’s the conversation between participants, t— and it all comes together in our final prompt on Day 30: “Your favourite post from another participant” — a beautiful way to lift each other up and wrap up the month together. All of September: one textile prompt a day. Respond to as many o...

Stitching Stories of Strength

Last month, I was interviewed by Sian Goff , textileartist.org and here is the resulting article Member Spotlight: Wilma Simmons Stitching stories of strength When Wilma Simmons retired at 55 after a career as a high school principal, she made herself a promise: whatever came next would be creative. Two decades later, that promise has grown into a practice rooted in storytelling, sustainability, and a deep respect for the women who came before her. Based in Newcastle, Australia, Wilma has become a fixture of the textile art world, a longtime volunteer at the Timeless Textiles Gallery, a two-time solo exhibitor, and a member of Stitch Club almost since its very first year. Talking with her, it's easy to see why her work resonates: every piece carries a narrative, and every material has been chosen because it means something. Wilma Simmons , Thorax with Eucalyptus. Wilma Simmons , Wall, inspired by Ana Buzzalino. From clay and jewellery to cloth Wilma's crea...

"Temari Or Not Temari?" Tutorial

Background Information: Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start with a polystrene ball ( traditionally the balls were wound silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap. 2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

Empress Wu Designs with Wilma

Search This Blog