Skip to main content

A November project



 A few years ago, I began scheduling into my day, the routine of a daily art practice.... seven years later, I still love #the100dayproject and am a strong advocate of "create something, anything, every day" . 

In more recent years, I haven't been content with a mere 100 days and have often pursued shorter /or longer projects requiring some daily attention. For example, I completed 145 days of slow stitching my garden and then another 60 day random cross stitch garden.... but that's a digression.... 



This month, I am being far more practical... I still like to send and give Christmas cards, but am always getting them in the post very late, and trying to make some  special unique cards  for the family the night before.... so all this month, I am making Christmas cards - just one a day. By 30 November, I should have some to choose from for posting within Australia and for giving in December.  Here are my first 4 days .... 









If you're wondering why bother with a daily art practice, there are many explanations and advocates online... this is what Google AI generated.... 

A daily art project is a creative endeavor where an individual commits to making art every day for a set period, such as 30 days, 100 days, or a year. The core idea is to build a consistent art-making habit to practice skills, develop a style, and generate a portfolio. These projects often involve smaller, themed works and are shared on social media, creating a sense of community and helping an artist gain exposure.

Benefits of a daily art project
  • Improves skills: Consistent practice helps you refine your techniques and experiment with new methods.
  • Builds a habit: It makes art-making a routine, similar to other daily habits, and can be done in short bursts of time, like 5–10 minutes.
  • Fosters creativity: By exploring a theme or using specific prompts, you can overcome creative blocks and discover new ideas.
  • Creates community: Sharing your work online can connect you with other artists and an audience who encourage your growth.
  • Provides a record: The project creates a cumulative body of work that documents your journey and progress over time.
and here's a bit more about one of my approaches to a daily creative routine 

..... starting a daily art practice tomorrow? 










Comments

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Textile Art Tips

Background : Today is Tuesday -  Tag day. I belong to a very talented group of artists who weekly produce a small work of art as a tag. We post photos of our tags  on the Tag Tuesday blog .  Currently our theme is alphabet, and we each could decide on our own sub-theme. I chose Australian plants and each of my tags is an experiment with a textile art technique. Here are February's tags and a brief  descriptions of the techniques used.  Technique 1 :  Heliographic Art (Sun Painting)  as in the photo above - close up of Tag E . When special sun/light sensitive paints are applied to wet fabric where objects have been placed on top, the outlines and shapes of the objects are transferred to the fabric. In this example I placed dried Eucalypt (gum tree) leaves on top  a piece of originally white cotton painted with yellow and orange" Setacolor" transparent paints and left it in the sun for about an hour. I then cut one of the leaves out and ...

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...