Skip to main content

#the100dayproject - What ? Why?

 


Some of you may have heard about  #the100dayproject ... What is it? 

Every year, thousands of people all around the world commit to 100 days of creating at the same time. Anyone can participate . The idea is simple: choose a creative project, do it every single day for 100 days, and share your process on social  media using the hashtag #The100DayProject, connecting with other participants and followers of the project. 
This year #the100dayproject started on 13 February and finishes on 24 May ,  if you count consecutive days. Some participants take up to 2 years to complete 100 days of creating! 
The first step is usually to decide on a personal project ... this year, I decided to do something simple and late last year,  I purchased a box of 100 pantone colour postcards. 
As I am also preparing a much bigger project, based on the "exuberance" of colour, I thought this would be a great way to move gently into the project and practise working with various colour combinations. 

What I learnt from previous years of participating in this project is that whatever the project is it needs to be manageable and an easy fit into your lifestyle. This year, I have really simplified and  fine tuned my approaches to the  project -  it has to be a process which

- uses materials which are easily accessible, recycled or found : 
- does  not take up too much space or time, ( ideally 15-30minutes on a small table) 
- needs no financial layout ( only the cost of the postcards - no further purchases ) 
- results in small artworks which can be used/gifted ( in this case posted to friends) 
- will help to develop techniques and skills.  

My project #100pantonepostcards2022  is exploring colour through collage and stitch.

 Every day, the base  is already prepared and I collage small scraps of paper and/or fabric (stitched or not) .  I use a simple glue stick and sometimes, some matte medium as my adhesives. My "away from home" kit comprises a small glue stick, a small envelope of  fabric and paper scraps,  a few postage stamps, a needle and  black, white and red  thread, scissors, a black felt tipped pen  and however many of the postcards I need.  What I don't have in my small travel kit, I usually gather wherever I am.  For the first 13 days this year, I improvised a lot as I was not at home. I used  bits of brochure pages, the back of my airline folder, some chocolate wrappers, and tea bags - there were even a few coloured threads in the bottom of my bag! 


I have  often been asked WHY I do this or what do I gain from doing this project. 

 There really isn't a definitive answer to why I do this - I think I am the kind of personality who likes a challenge and likes working in series. I also know that I benefit  greatly from regular practice and like to commit to a process of improving my skills ( in bursts, at least) .
I also like the process of recording how I feel about the project in a journal , or as is obvious, in this blog.  

As I try to devote 20-30 minutes to a daily art practice , 100 days isn’t too much of a stretch depending on the ‘rules’ I set for myself .  One year I combined stitching with walking - about 5k daily and another I wrote a haiku to go with each little pin/brooch . I enjoy the discipline, the accountability, and the opportunity to experiment and practise . 

The bonus is the sense of community - about 8000 worldwide making and sharing art for 100 days together . This year  these Pantone samples are perfect preparation for a bigger artwork … and I will have  arty postcards to send to friends at the end of it  - bonus ! I think I said to a friend yesterday, if I get 10 good postcards out of 100 , I'll be happy . 


 In #the100day project nothing is mandatory- you set your own parameters so I guess  all participants ( now over 13,000 in the FB group) each gain something different but share the common sense of  creativity, achievement and commitment. 

Please follow my #100pantone postcards2022  on Instagram @empress.wu.designs or on Facebook  @Empress.Wu.Designs

Comments

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...

Lilly Pilly

Today is Australia Day. I chose a photo of some Lilly Pilly berries as a celebratory image for this national day. Lilly Pilly is  a common name for a plant, Syzygium smithii which grows mostly in Eastern Australia, from the northern  rain forests of Queensland, throughout NSW to the southern Wilson's Promontory in Victoria. In New Zealand it is called "monkey apple, but other names used in Australia, besides lilly pilly, are Eungella Gum and Coast Satinash. The largest Lilly Pilly recorded was found in Dingo Creek Flora Reserve, near Tenterfield where I once lived.  The tree now growing in my garden was once a small seedling which I was gifted when I left Woolgoolga, a small coastal town in northern NSW. Its name  is said to come from the Aboriginal word 'weelgoolga' describing the lilly pilly which grows in profusion there. It is probably no surprise that the lilly pilly berries are edible as bush tucker, and make a beautiful jam or jelly. I have even seen re...