Skip to main content

Looking back to September Part 1 - Days 11-15

 

It's Spring here in our garden. Although the weather has been warm on a few days , it has been often wet and cold and yet the garden is blooming beautifully. Every September, for the last couple of years, I have participated in #SeptTextileLove  - a daily response to prompts by the Seam Collective to share a love of textile art.... here are my September  days 11-20 ... 

Day 11- Reverse 

Reverse side of an upcycled jacket 

Upcycling an old denim jacket with boro type stitching/mending 

Day 12 : Sloppy Craft 
What about the name of the movement – “sloppy craft”? “Sloppy” is really a sound bite kind of name, irresistible once spoken out loud. The reference was used extensively with textile and fabric art, but examples can be found in all the crafts. “Sloppy” indicates intentionality, which might not be the case with the art. “Sloppy Craft” is an unfortunate phrase — perhaps other names like “informal” “casual” or “raw” would be less jarring than “sloppy” to describe contemporary art that has some base in traditional crafts.  (from http://washingtonglassschool.com/sloppy-craft-but-is-it-art) 

My example of "sloppy" art - where stitches show and pieces of the structure form part of the work. 




13: Stitch 
A section of 145 days of slow stitch "Garden Threads" scroll 

14: Surface 
 


The surface of a textile changed with polymer clay faces representing the beheaded suitors of Penelope,
from Homer's Greek epic " Odyssey"  

15: Connect 


Connecting with others through stitching - The Wednesday Makers Group 
Contribution to a group 'book' for Finding your Thread exhibition. 




 



Labels:

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Meditations on Mercator

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April  – 10 May 2026   ….  Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...
Post a Comment
Read more

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...
3 comments
Read more

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...
Post a Comment
Read more