Skip to main content

Postcard Portraits - "Travelled" Exhibition

 

 Recently, I've created a few portraits and it is always interesting to try different techniques. For a  "travelled" theme exhibition, the Wednesday Makers Group at Timeless Textiles  was invited to create some postcard portraits.  It was a great opportunity to use  "random cross stitch" , a technique I learnt in the textileartist.org workshop by Sharon Peoples. 
The cross stitch helps to create a textured skin with subtle changes in tone.  My husband, Jim, is the subject -  here depicted on a trip in Finland ( Finnish forest in the background)  This postcard is  all handstitched and as Jim always travels with a paper map , I added a much loved map in miniature. 

The whole collection of postcards by the group captures travel memories of places visited and enjoyed - places like Hawaii, Uzbekistan, Turkey,  Vietnam, Bali, India, Fiji , Latvia, Lord Howe Island, Disneyland, China , Germany, Finland, Ukraine, Bhutan, Italy,  France, Japan, Egypt and various locations in Australia. 

My second postcard portrait was of the Kumari, the child living goddess revered in Nepal, with a Buddhist stupa in the background.  For this one, I used coloured pencils ( Inktense and Prismacolour) and hand and machine stitching, with some tassel making and wrapping  for the headdress. 


The third submission for this projects is called "Immigrating to Australia". Rather than recall a travel memory, this postcard portrait is a transferred photo of my great grandmother who travelled from China to Australia to settle in 1909. Here she is seen in full formal Chinese dress and her tiny bound feet can just be seen poking out from under her long robe. The background for this postcard is crazy patchwork in subdued colours, with handstitching. 

The postcards are a small part of a much larger exhibition of textile art created by the renowned UK artist, Anne Kelly and all the  artworks, including the postcards,  can be viewed in the gallery until 7 August or online. 

Comments

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Lilly Pilly

Today is Australia Day. I chose a photo of some Lilly Pilly berries as a celebratory image for this national day. Lilly Pilly is  a common name for a plant, Syzygium smithii which grows mostly in Eastern Australia, from the northern  rain forests of Queensland, throughout NSW to the southern Wilson's Promontory in Victoria. In New Zealand it is called "monkey apple, but other names used in Australia, besides lilly pilly, are Eungella Gum and Coast Satinash. The largest Lilly Pilly recorded was found in Dingo Creek Flora Reserve, near Tenterfield where I once lived.  The tree now growing in my garden was once a small seedling which I was gifted when I left Woolgoolga, a small coastal town in northern NSW. Its name  is said to come from the Aboriginal word 'weelgoolga' describing the lilly pilly which grows in profusion there. It is probably no surprise that the lilly pilly berries are edible as bush tucker, and make a beautiful jam or jelly. I have even seen re...

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...