Skip to main content

Changing Newcastle


  Since I came to live in Newcastle NSW (Australia) in 1999, the city has changed... architecture alone has changed the look of Newcastle.  As I walked by the old newspaper building , I was a bit sad to see a crane lifting materials for the apartments being built behind the facade of the original building. It wasn't just that the old building is no longer, it is that the local newspaper has changed too - no local office, printed elsewhere electronically. Yet I felt happy that at least the building will become "home" to many people  and that its history won't be lost. 
Last week, I also captured this shot of an old 1823 building reflected in the new City of Newcastle administration building. While the new building will be spectacular as it is, I really liked the idea of the past being reflected in its shiny glass exterior.  


There are some really amazing buildings which have appeared in Newcastle in the last few years.  The University of Newcastle , City  Campus is a testament to architectural innovations and contemporary design as well as function. It is called NeW Space -  a space to collaborate , and it certainly feels like that. 


In the same  city precinct as NeW Space is perhaps my favourite building in Newcastle, although I never really want to spend time in there. The Law Courts completed in 2015 still resonate with a newness and somehow a distinctive Newcastle feel.  It was built in a difficult triangular space, but somehow seems to spread happily into the block . Local artists' work have been featured for the interior design  with the foyer installation paying homage to the original  indigenous owners of the land. 



And soon, this city streetscape will be visible from the new light rail which will trvel along Hunter Street Newcastle.

Sadly for some ( my grandchildren included) the Queen's Wharf Tower, an icon of  'old ' Newcastle will not be visible  as it was demolished last year. However, there are many people who have rejoiced over the removal of what was considered a rather embarrassing phallic sculptural icon. 
And that is progress... 



Image Credits: 

  • Wilma Simmons 
  • https://www.newcastle.edu.au
  • http://www.coxarchitecture.com.au
Labels:

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Wednesday's Child /2

Work in Progress - 3 of the 193 for "Stitched Up"- Wilma Simmons   The work for the "Stitched Up " Project  continues. See the previous "Wednesday Child" post for the background to this art project celebrating the 150th anniversary of the Newcastle Industrial School. I have been documenting the progress of my work, so I thought it might be interesting to share some of the early stages of the "stick dolls" ... Here are some of the beginning steps.. Sticks collected while walking the bushland in my neighbourhood  Drying and getting rid of any insects - oven heat 75 degreesC for approx 1-2 hours.  Trimmed and cut if necessary  Ends sealed with matte sealing solution.  Drying  - solution goes on white but dries clear.  First wrapping - foil to create a body shape  Second wrapping - stretch fabric.  Third wrapping - fabric strips  Some stitching - more stitching and embellishment to ...
Post a Comment
Read more

Evolution of Message Stick Art Dolls

Message Stick Art Doll - stick, polymer clay, hand dyed & stencilled fabric with embroidery  My    message stick art dolls    have evolved over the last couple of years.  Why have I called these art dolls “Message Sticks” ?    I wanted to recreate a doll which was based on traditional techniques, so I have used ideas from a few different cultures. Many traditional dolls were made from wood - often wrapped with fibres.   In Egypt, several types of paddle dolls have been discovered in tombs in Egypt. The dolls are made of wood, flat, and constructed in a shape has led the form to be called a 'paddle doll'. The dolls seemingly follow a convention for the female figure, emphasizing the hips and hair. The wooden figures are usually painted with a geometric pattern of lines and dots. These patterns may reproduce tattos or ritual scaring in female Egyptian culture of the period or represent clothing or jewellery.  A fine exampl...
3 comments
Read more

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...
8 comments
Read more