Wednesday's Child /2

Work in Progress - 3 of the 193 for "Stitched Up"- Wilma Simmons

The work for the "Stitched Up " Project continues. See the previous "Wednesday Child" post for the background to this art project celebrating the 150th anniversary of the Newcastle Industrial School.
I have been documenting the progress of my work, so I thought it might be interesting to share some of the early stages of the "stick dolls" ... Here are some of the beginning steps..

Sticks collected while walking the bushland in my neighbourhood

Drying and getting rid of any insects - oven heat 75 degreesC for approx 1-2 hours.

Trimmed and cut if necessary

Ends sealed with matte sealing solution.

Drying - solution goes on white but dries clear.

First wrapping - foil to create a body shape

Second wrapping - stretch fabric.

Third wrapping - fabric strips

Some stitching - more stitching and embellishment to come.

Follow this series of blog posts - Wednesday's child - for the later stages of these dolls and more about the work in progress.

Comments

Meditations on Mercator

‘ The Timelessness of Stitch’ was an invitational group exhibition at Timeless Textiles Gallery, Newcastle NSW , 1 April – 10 May 2026 …. Across generations and cultures, the act of stitching has woven together stories, traditions and identities. Each thread carries not only aesthetic value but also the memories and emotions of those who crafted it, demonstrating how this simple act transcends time and place. I was honoured and humbled to be amongst the twenty-three artists (national and international) participating in this exhibition. My small installation took some time to develop…. Although I knew about this exhibition for some time, I kept procrastinating, going from one idea to another and not settling on any. Recently, I came across the word “mercator” and while a vague notion of maps was recalled, I really needed to research. Besides the modern commercial connections, Mercator has its origins in cartography, which Is often a source of inspiration for my ...

Fragments

Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by UK Fibre Artist Sue Hotchkis . Here is a little about the techniques of this amazing textile artist from her own website ... Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks .... The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or my husband or from off cuts gifted to us from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks. Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt or mould small face masks for these dolls. I really like using "sari ribbon" as w...

Empress Wu Designs with Wilma

Search This Blog