Skip to main content

Exhibition Panic



Some of the 108 little polymer clay  heads I made and  have  stitched into one of my  exhibition  pieces,
entitled "Pillars of Patience", depicting  the 108 suitors of Penelope from "The Odysssey - WS 2016 
With only five weeks to set up , I have a severe case of exhibition panic. Very few pieces of work completed and to make the situation more complex, is the pressure I'm feeling embarking on my first collaborative exhibition.  There are lots of  warnings from artists about the pitfalls of collaborating for an exhibition. However, I am one of the lucky ones  ... I chose an artist friend, Bobbi Oliver who is not only talented but has an amazing work ethic and produces absolutely stunning sculptures quickly. Not sure how Bobbi feels, but I am suspecting she might be thinking she has stepped into a scenario a bit like this, described by Cissi Tsang ... We haven't had a difference of opinion. we haven;t stamped around like raging dinosaurs. We haven't come to a stalemate. However, I have worked very very slowly. 
"A collaborative exhibition only works as well as the participants. The more people that are involved, the more opinions – and the greater the likelihood of disagreements. What starts out as a difference of opinion can devolve into immense butt hurt. This can derail the exhibition as people start spending more of their time stamping like a herd of angry dinosaurs. Or you might end up with a stalemate, with various people refusing to compromise. Then there’s the risk not everyone shares the same work ethic – or possess any work ethic, at all. Things are done slowly, or not done at all. You might end up having to take on extra responsibilities to pick up the slack."  from https://contrastly.com

What am I doing spending precious moments writing about my state of mind when I should be creating ?  Posting a few photos to prove to all , me especially, that I am making progress! These are only previews, Sorry I can't show really how much progress I have really made. Yes, Bobbi, I have finished a few!  I'll be ready by 19 May!
Close up of  "Pyramid of Prudence " - hand dyed fabric and digital print on fabric . WS 2016 

Close up of "Pyramid of Prudence" - figure of Telemachus semi visible. WS 2016 

 ' Growing Up" One of my handmade artist books for the exhibition
eco dyed paper, assorted fabrics, hand  stitching  and photo print on fabric. WS 2016 
Labels:

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...
3 comments
Read more

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...
8 comments
Read more

Fragments

 Some days are just your lucky days - today I was very fortunate and privileged to open the first ever Australian exhibition "Fragments" by  UK  Fibre Artist  Sue Hotchkis .  Here is a little about the techniques of this amazing textile artist from her own website  ...  Working intuitively with print and stitch, marks, textures and colours are exaggerated, intensified to reveal the detail and complexity within the images. Materials are deconstructed using modern methods, ripped, burnt and dyed. Time is invested in their reconstruction; pieces can take from a week to several months to create. Whilst being aesthetically pleasing the work can also act as a metaphor for deterioration and ruin, associated with urban decay and ultimately death and loss. They evolve organically, built up with layers of print, cloth, paper, and stitch into three-dimensional abstract forms that hover between object and image; to create a unique, visual and tactile lan...
Post a Comment
Read more