Skip to main content

29 Faces 1-4


What is 29 Faces? 29 faces was originally created in 2012 to celebrate the leap year with art, 29 faces in 29 days in February. It was so much fun, we had to do it 3 more times though the year! We start the 1st of the month, and it's all about a face. Any medium, surface, size and techniques are welcome. Canvas, paper, wood, digital, journals, mixed media, acrylics, oils, pastels, clay, rocks.... you name it!

I have done the challenge before and always enjoyed this challenge and the discipline of completing some art each day.It took me a day or two to decide a direction for this month... Inspired by the amazing tea bag art of Ruby Silvious ( who created art on tea bag for 365 days!)   and with International Women's Day soon on 8 March, I decided to do a tea bag art series inspired by famous women "who have made a difference". I have called this series of sketches "Worldly Women" and each is a quick felt tip pen drawing, coloured with pencils and paint. I may add some stitching later.  I am not trying to do exact copies of the portraits of these women as I don't have that level of skill, but I hope they are reasonable interpretations. Here are the first four .... 
1 February - Empress Wu Zetian , Tang Dynasty China

2 February - Queen Victoria/Empress of India , 19th Century , England 

3 February - Nefertiti, Ancient Egypt 

Eleanor of Aquitane, 12th Century, France 
Here is a link to one of my  previous blog posts about 29 Faces. 
29 Faces, 2013 - art tags by Wilma Simmons 


Comments

Popular posts from this blog

A November project

 A few years ago, I began scheduling into my day, the routine of a daily art practice.... seven years later, I still love #the100dayproject and am a strong advocate of "create something, anything, every day" .  In more recent years, I haven't been content with a mere 100 days and have often pursued shorter /or longer projects requiring some daily attention. For example, I completed 145 days of slow stitching my garden and then another 60 day random cross stitch garden.... but that's a digression....  This month, I am being far more practical... I still like to send and give Christmas cards, but am always getting them in the post very late, and trying to make some  special unique cards  for the family the night before.... so all this month, I am making Christmas cards - just one a day. By 30 November, I should have some to choose from for posting within Australia and for giving in December.  Here are my first 4 days ....  If you're wondering why bother ...

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as w...

How does your garden grow with stitch?

"How does your garden grow with stitch?" is an update on a post I published way back in 2015, when I stitched my first "impressionist garden" for a course I was studying at the Embroiderers' Guild.  Gardens are my constant inspiration for my artwork, and I create gardens in cloth  and stitch repetitively, using many different techniques. I am particularly fond of this heavily stitched embroidered "impressionist" garden.  In 2016, I stitched two small gardens in this style for an exhibition and they included photos of  my husband's grandmother and her brother and sister as children. Although the collector who bought these two works did not know our family, the children reminded him of his own family from England of about the same era. These two 'gardens'   have become my "stitch" reference and images which best showcase the technique although I don't have the originals any more.   Since then,  quite a few other gardens have gro...