Exhibition Countdown 16 - New exhibition space

Yesterday, I went to the new location of Timeless Textiles Gallery to have a look at the exhibition space.The New Timeless Textiles will be located in the eastern side of the The Lock-Up Cultural Centre I think I can fill the two exhibition rooms. I loved the fireplace mantles - perfect for a couple of my pieces. The area is still being renovated, but I can see that it will be beautiful. Gallery Owner, Anne Kempton has been working extremely hard to get the new venue ready as well as continuing to keep Timeless Textiles current exhibition still open in Islington.

Here is a bit more about the exhibition venue...

Located in the heart of Newcastle's heritage precinct, The Lock-Up combines an art gallery, Artist in Residence program and museum to create a unique destination with a range of cultural activity not offered anywhere else in the Hunter Valley.

The Lock-Up was Newcastle's Police Station from 1861 until its closure in 1982. In that time the cells, now heritage listed, held offenders involved in iconic highlights of Newcastle's history including the Coal Strike of 1909, the Clara Street Eviction riots during the Great Depression and the 1979 Star Hotel riot.The Lock-Up is constructed in Sydney sandstone and is one in a row of four significant buildings on Hunter Street that reflect the prosperity of early Newcastle. It is believed to be the only example in NSW that includes the work of three of the State's important early architects; Alexander Dawson, Mortimer Lewis Jnr. and Walter Vernon.
Sympathetically restored, The Lock-Up now supports contemporary creative practices with a varied exhibition schedule that showcases the work of visiting Artist in Residence (who live in a self-contained apartment on the first floor for up to three weeks at a time), as well as curated exhibitions by Lock-Up staff and local artists that are as idiosyncratic as the city they reside in.

Directions: The Lock-Up is one block from the Newcastle train station, in the Newcastle CBD. Head south along Watt Street and turn right at the first intersection, Hunter Street. The Lock-Up is the second building on the right.OPENING HOURS Wednesday to Sunday 10am-4pm
CONTACT info@thelockup.org.au / www.thelockup.org.au

#the100dayproject : Inspiring Women Days 1 - 4

#The100DayProject is a *free* global art project that takes place online 🎨 E very year, thousands of people all around the world commit to 100 days of creating. Anyone can participate . The idea is simple: choose a creative project, do it every single day for 100 days, and document and share the process online. 2026 is my 8th year of participating. I have stitched daily observations, painted my egg cup collection, collaged postcards and envelopes, written poems, explored colour palettes .... this year I am researching, sketching and stitching 100 inspiring women. Fortunately I purchased a piece of beautiful linen, with preprinted outlines of 100 women ... just one issue - the figures are tiny (height 6cm /2.5 ins) My first week started tentatively ... I thought I would start with Empress Wu, after whom I named my creative activity. This is when I discovered how difficult it is to applique and stitch on these very small figures - I used tweezers to put pieces of fabric down, tried t...

Fish and Sticks : Art Dolls

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"Temari Or Not Temari?" Tutorial

Background Information: Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start with a polystrene ball ( traditionally the balls were wound silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap. 2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...

Empress Wu Designs with Wilma

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