Skip to main content

Stitched Faces


I 've always enjoyed that imperfect line of  "not quite in control' free motion machine stitching....  I think it really suits creating portraits , giving them some character and even a quirkiness that hints of personality plus.  These ones below are from my " Red Cheeks" series from a couple of years ago, and are amongst my favourite stitched portraits. 


The current Stitch Club ( textileartist.org) workshop, by  Batool Showghi has inspired me to stitch more this week. Batool , of course, is in complete control of her machine stitching and her works are exquisite and they tell a moving story.  ... " Working with paper, print, paint and stitch, her textile art bears witness to displacement, silenced women and the damage that authoritarian regimes impose on ordinary lives.

Batool’s mixed media wall pieces are incredibly striking, but her artist books truly set her apart. Printed imagery of family photographs, birth certificate documents and her own Farsi handwriting are complemented by intricate machine stitching and paint.... " from https://www.textileartist.org/batool-showghi-threads-of-resistance/

Batool Showghi, Woman Life Freedom, One Body, 2024. 45cm x 45cm (18″ x 18″). Fabric, thread, marker pen. from https://www.textileartist.org/batool-showghi-threads-of-resistance/


 While I'm currently doing #the100dayproject, highlighting 100 women who have inspired me #100daysofinspiringwomen and it is close to the end, I started to think about creating a concertina book as explained by Batool and feature either the amazing women I've worked with in Papua New Guinea or in Nepal . The first photo in the blog isn't quite what I planned as a practice run for Nepal, but this one below looked like one of the girls in the village in the Eastern Highlands, PNG. While I like stitching onto botanical prints on khadi paper, I am still undecided which of the countries I should feature? 



When I put both of these latest stitched faces up for comment  in the Stitch Club , I got some good suggestions to create "Colourful Women of the World", instead of limiting to one culture - what do you think? 



Labels:

Comments

Post a Comment

Thanks for reading my blog and please share your thoughts about my blog post by leaving a comment.Your comment won't appear immediately as comments are verified before publication in an effort to reduce the amount of spam appearing. Anonymous comments will not be published.

Popular posts from this blog

Wednesday's Child /2

Work in Progress - 3 of the 193 for "Stitched Up"- Wilma Simmons   The work for the "Stitched Up " Project  continues. See the previous "Wednesday Child" post for the background to this art project celebrating the 150th anniversary of the Newcastle Industrial School. I have been documenting the progress of my work, so I thought it might be interesting to share some of the early stages of the "stick dolls" ... Here are some of the beginning steps.. Sticks collected while walking the bushland in my neighbourhood  Drying and getting rid of any insects - oven heat 75 degreesC for approx 1-2 hours.  Trimmed and cut if necessary  Ends sealed with matte sealing solution.  Drying  - solution goes on white but dries clear.  First wrapping - foil to create a body shape  Second wrapping - stretch fabric.  Third wrapping - fabric strips  Some stitching - more stitching and embellishment to ...
Post a Comment
Read more

Evolution of Message Stick Art Dolls

Message Stick Art Doll - stick, polymer clay, hand dyed & stencilled fabric with embroidery  My    message stick art dolls    have evolved over the last couple of years.  Why have I called these art dolls “Message Sticks” ?    I wanted to recreate a doll which was based on traditional techniques, so I have used ideas from a few different cultures. Many traditional dolls were made from wood - often wrapped with fibres.   In Egypt, several types of paddle dolls have been discovered in tombs in Egypt. The dolls are made of wood, flat, and constructed in a shape has led the form to be called a 'paddle doll'. The dolls seemingly follow a convention for the female figure, emphasizing the hips and hair. The wooden figures are usually painted with a geometric pattern of lines and dots. These patterns may reproduce tattos or ritual scaring in female Egyptian culture of the period or represent clothing or jewellery.  A fine exampl...
3 comments
Read more

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2 ...
8 comments
Read more