Skip to main content

#the100dayproject - Day 3 #100eggcups: Blue Calico and other mysteries.




For Day 3 #the100dayproject, I stacked and sketched a few of the egg cups on the shelf  .... The one almost toppling over is one of the favourites in my collection. It is from the  "Blue Calico"  collection by Burleigh Pottery, proudly making earthenware since 1851, based at Middleport Pottery in Stoke-on-Trent since 1889.England. 

Inspired by 19th-century indigo fabrics, Burleigh’s Blue Calico tableware range brings quintessential country charm to your home. The rich cobalt blue tones and scrolling blossom design complement both casual family dining and special occasions alike

Some of the others featured today are also special  hand painted egg cups . One is vintage handpainted  Delftware or  most likely an imitation as it doesn't have the usual Delft pottery mark. On the side not shown is a Dutch windmill scene. 

The  bottom one in the stack has no marks and I can't remember where I got it from.  It has a stencilled pattern. 
The one lying on its side is  obviously  made by a studio potter ... another mystery BVK is also a mark used by another  Dutch pottery studio, needing many more hours of research than I have time for today,  So here are some mysteries. If you know about any of these, please write a comment at the end of this post. 




Find #100daysofeggcups on Instagram 
 

Comments

Popular posts from this blog

Too Precious to Waste

 Stitched tea bags/ old doily "tea lights" - Wilma Simmons  More than a year ago, a decision was made.  The annual exhibition of NCEATA ( Newcastle Creative Embroiderers and Textile Artists) 2015-2016 will have the theme "Mottainai". Mottainai in Japanese refers to more than just physical waste (resources). It is even used to refer to thought patterns that give rise to wasteful action. Grammatically, it can be used in Japanese as an exclamation ("mottainai!") or as an adjective phrase ("it feels mottainai"). There is no plural form. The collection of mottainai things could be called mottainai koto ( もったいない事 ? ). As an exclamation ("mottainai!") it means roughly "what a waste!" or "Don't waste." [2]  A simple English equivalent is the saying "waste not, want not." A more elaborate meaning conveys a sense of value and worthiness and may be translated as "do not destroy (or lay waste to) that

May I Present Mrs Chalumeau...

Finally Mrs Chalumeau takes a bow …She is a Pearly Queen … 695 buttons on the doll and 10 on the journal.(I think – could be more). I would like to thank Paula from Antiques and Collectables here in Hamilton, Newcastle and Raku Buttons ETSY seller for supplying me with about 500 of the vintage mother of pearl buttons, and the rest I had in my stash. I think they look great on my pearly queen, but I am truly tired of sewing on buttons. It made me think however, how many buttons must be on the elaborate clothes of the real pearly Kings and Queens! I drew my inspiration from the lovely lady pictured here, and the following description from Wikipedia. ... A Pearly King ( feminine form Pearly Queen) is a person dressed in a traditional Cockney costume covered in mother-of-pearl buttons. These costumes were treasured heirlooms, hand made and sometimes representing much of a family's wealth. .... This doll is all cloth – a little different from most of my other dolls which generally h

"Temari Or Not Temari?" Tutorial

 Background Information:  Temari (literally translated “hand ball”) is a Japanese folk craft that is alleged to have originated in China and was introduced to Japan five or six hundred years ago. Traditionally, the balls were constructed from wrapped kimono fabric remnants and silk threads. They were made by mothers and grandmothers for children to play with. Nowadays, decorative embroidered temari represent a highly valued and cherished gift symbolizing friendship and loyalty. Recently I've wondered if your don't use traditional techniques whether you should call what you create "temari". That is an ongoing debate but today I share what I do to make a "non-traditional temari".... 1.I start  with a polystrene ball ( traditionally the balls were wound  silk scraps or other organic materials) and begin to wrap with approx 4 ply wool, turning the ball as I wrap.  2. I then wrap another layer of wool in a similar fashion , this time a 3 or 2